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Nina

Biographyدراماموسيقى

The story of the late jazz musician and classical pianist Nina Simone, including her rise to fame and relationship with her manager Clifton Henderson.

السنة

2016

المدة

1h 30m

IMDb

5.4

شاهد الآن

Hero Poster

طاقم العمل

CM

Cynthia Mort

Director

Zoe Saldana

Nina Simone

David Oyelowo

Clifton Henderson

طاقم العمل

CM

Cynthia Mort

Director

Zoe Saldana

Nina Simone

David Oyelowo

Clifton Henderson

Kevin Mambo

Gilles, Lead Guitarist

Ronald Guttman

Henri Edwards

Chuma Gault

Nina's Husband

Allison Sarofim

Head Nurse

Mike Epps

Richard Pryor

Keith David

Clifton's Father

Ella Joyce

Clifton's Mom

Stevens Gaston

Clifton's Brother

Fred Cassidy

Customs Agent

Jessica Oyelowo

Nurse

Anthony Molinari

Cop #1

Ella Thomas

Lorraine Hansberry

Bonnie Bartlett

Recital Stage Woman

Ken Davitian

Club Owner

Camille Natta

Miss Larouche, Vocal Coach

Marianne Muellerleile

Nurse Mary

CM

Cynthia Mort

Writer

الإعلان الترويجي

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بلدة الضياع

Into the Badlands

إس.دبليو. إيه. تي

اختيارات مميزة

هل تريد المزيد من الترفيه؟ استكشف منصة الألعاب المقترحة ووجهة الدراما القصيرة التي نوصي بها.

ألعاب فورية

Gamixo

العب ألعاب المتصفح الخفيفة مثل الألغاز والورق والرياضة والتحديات السريعة خلال ثوانٍ.

دراما قصيرة

VSKIT Drama

شاهد المسلسلات القصيرة الرائجة وقصص الرومانسية والدراما الجديدة مع تحديثات يومية سريعة.

التعليقات

10 تعليق

BelieveNov 28, 2023

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Indrajeet SinghMay 29, 2023

source: Nina

Muhannad almisuratiMay 29, 2023

source: Nina

Angelica Jane YapNov 22, 2022

Contrary to the last review, this movie was terrific! It showed Miss Simone's difficulties in life without excusing them, moving back and forth to explain why she was behaving a certain way. It showed the history of how she got to those feelings and actions. And then it showed her glory, which was her music. Miss Saldana was incredibly brave to take on the music of an icon. And, she did quite well. Her emotions while singing and the way she used her voice were wonderful. Anyone knowing this music would understand why she performed this way. Taking on the life of a legend is very difficult, but this crew did a great job. Kudos to all!

MastewalwendesenNov 22, 2022

Because, many were personally involved in Miss Simone's life, it is easy to understand their annoyance; however, as a person that appreciates Miss Simone's music, I put her on her own pedestal but; I must, in the other hand, contemplate, in total impartiality of judgment, Miss Zaldana's performance, her singing was extraordinary and deserves to be valued independently. There is no comparison possible, for they are both different performers, and as such, must be valued separately. Perhaps, in relation to the portrayal of the character, there were marked unsubstantiated facts, this belongs to the screenwriters and playwrights or whoever. One must be fair and judge the acting and the singing of the artists.

Chelsie MNov 22, 2022

I feel like there was so much about Nina that was left to be told that they didn't tell us. I think not having her family involved was a mistake because it clearly shows in the depth of the story telling in this. This just failed on all fronts.

Julia BarrettoNov 22, 2022

Who can stomach a film where we see modern day black face.... this movie is disrespectful and insulting to the legacy of Ms. Nina Simone... There were plenty of choices for this role and Zoe Saldana was absolutely not it... which is why Nina Simone's real life story is Inspiring, this movie however needs to be flushed down the toilet as it is crap....

nadasabriNov 22, 2022

I watched this film with a little bit of hesitation given the controversy given the casting of Saldana, but I do not want to make too much comment on that as I think at this point it is evident that it was an inappropriate choice. The black-face aside... it was a very confusing choice, given that the film focuses mainly on the last decade or so of Nina Simone's life and neither Saldana nor the makeup applied to her were convincing as a sixty or seventy year old woman. The film also had a very poor screenplay, and I took issue with it's treatment of Nina Simone as a woman with mental illness, it really lacked subtlety and relied very heavily on clichéd ideas about mental illness which I don't think reflect Nina Simone as a person. In fact, I think the entire film missed the mark in capturing the essence of Nina Simone. And, finally, and by far the most disappointing, the music! Well... the music was OK, whoever the band were did a decent job. But Saldana's strained singing was terrible. The movie was boring at best, and offensive at worst. It was a horrible disappointment.

Julia Ilumbe04Nov 22, 2022

A very touching presentation on the last eight years of Nina Simone's creative but turbulent life. We learn about her past through a few flashbacks and her dialog. Zoe Saldana gives a fine interpretation of Nina Simone the person and her climb into a successful popular singer and slow frustrating slide back into near obscurity. Everything in this movie may not be exactly true but then the movie doesn't tell us everything about Nina Simone's past either. Director/writer: Cynthia Mort wants to show us Nina as a creative spirit caught in a black woman's body at a time when being black, female, talented, and beautiful may have opened a few doors but the struggle to bring beauty and soul freely into this society was full of road blocks, speed bumps, and potholes. Zoe Saldana being beautiful herself brings a touching and emotional Nina to life. Nina struggled with substance abuse problems and spells of mental illness. Her need to sing is brought to the surface here and Zoe becomes Nina and the spirit of Nina shines. This is a fine and wonderful film.

Malex Praise TikTokNov 22, 2022

Nina Yet another film of a famous person that in reality is just an excuse to show off mental illness. In this case the bipolar condition of Nina Simone. The film assumes that the viewer already is familiar with her life. I wasn't. I only knew her by having heard a couple of her songs. The start of the film rushes ahead through her life to the very end of her life. But it doesn't start at the end and show flash backs. Well... sort of. It was mostly just a confusing mess and I had no clue what her career was like up to the end (where the film begins). The first concert she does is in a small bar. So as a viewer I'm like, OK, so this is the kind of concerts she had. And then I'm told she is one of the most famous singers. OK, so why is she in a small bar performing if she is so famous? And then somebody says that she should be in a huge concert hall, and not in a small bar. And I'm like, yes, so why isn't she? Please tell me, the viewer. No information. The film revolves around her (non-romantic) relationship with her nurse/assistant/manager. This is uninteresting. It never goes anywhere and there's very little tension. I suspect it's just badly acted. David Oyelowo plays the assistant. I had never heard of him. So I looked him up. He has a long career of so-so stuff. So he doesn't seem particularly talented. He seems to be established as a middling talent. So it's an odd casting. It seems to me like he just didn't have what it took to make this role work. Zoe Saldana plays Nina Simone. This is also not particularly interesting. But I don't think it's the acting that's the problem this time. I suspect the problem here is the script. A string of scenes showing a crazy person doing crazy things is not interesting. This is not a comedy. The craziness has to be coupled with her being sensible sometimes. There has to be some sort of balance. Nina Simone in this film goes from being disturbingly weird to being bouncing-off-the-walls-in-a-padded-cell- crazy. She's impossible to like. But she's famous for being a musical genius. She created amazing music and trail-blazed against all odds and conquered the world. This is not shown in this film. Nina Simone in this film is just nuts with no redeeming qualities. It's the stuff that made her famous that I'm interested in. This film provides none of it. They use the "Angry Black Woman" trope to it's fullest extent. Sure, Nina Simone does have ample reason to be angry. But this character seems utterly consumed by it. It's like she has nothing else going for her in her life. It would be nice with a film about a historical black person that doesn't focus on how much a victim he or she is. I'm not saying that black people historically haven't suffered. What I'm saying is that, by looking at the movies produced focusing on black people, black history seems to be defined by being a victim and nothing else. I'm starting to find this tedious. And in this film it's especially obvious, since her talents are so down-played. It's all about Nina, the crazy victim. I learned almost nothing about Nina Simone's music career.